Passenger Sans is a large family designed for editorial projects. You can build great design systems using just its fonts, or you could combine them with two related ITF families: Passenger Serif and Passenger Display. Passenger Sans’s letterforms have compact proportions; their apertures are small. In the upright fonts, all strokes end at horizontal or vertical angles. Long passages of text set in the typeface are comfortable to read. Passenger Sans’s fonts have are proportionally-spaced lining figures as the default numerals, but with OpenType features, oldstyle figures and tabular figures are also available. In the upright fonts, the ‘a’ and the ‘g’ are double-storied, while in the italics they’re single-storied – the ‘opposite’ version is always available as an OpenType alternate. Fonts have alternate forms of ‘Q’ and the ampersand (&) as well.
Download Now Server 1 Download Now Server 2 Download Now Server 3 Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 1 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 1 contains 144 fonts. Families included in Volume 1: Hype 0100, Hype 0400, Hype 0700, Hype 1000, Hype 1300, and Hype 1600. If you would like to complete your collection be sure to view and purchase Hype vol 2 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a