Screen Sans is a large family of constructed-style sans serif fonts. These fonts feature forms that look like those that have been favored by engineers for over a century. Their letters are straight-sided, and the strokes that make them up are monolinear. The Screen Sans family includes 14 members. Seven of these fonts are italics, although these italic fonts should really be called ‘obliques,’ as the letters are slanted versions of what you’ll find in the upright fonts. The family’s weights range from Extralight through Extrabold. The x-height is moderate, so the ascenders and the descenders are quite prominent. The ascenders rise above the capital letters and the numerals – both of which share the same height. Each font uses a double-storey ‘a’ and single-storey ‘g’. Years ago, fonts like Screen Sans were primarily used to brand firms in engineering and tech. Recently, however, they have become increasingly popular solutions for setting text on screen. The Regular weight of this family would be excellent for setting body copy either on screen or in print. The other weights can be used for text sizes, too, but will function even better when used large.
Download Now Server 1 Download Now Server 2 Download Now Server 3 Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 1 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 1 contains 144 fonts. Families included in Volume 1: Hype 0100, Hype 0400, Hype 0700, Hype 1000, Hype 1300, and Hype 1600. If you would like to complete your collection be sure to view and purchase Hype vol 2 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a